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- Home
- the old site
- British Association Lecture, Leeds, 1927
- John Logie Baird in America, 1931
- Television in 1932, BBC Annual Report, 1933
- The Wonder of Television, 1933
- Television To-day and To-morrow, 1939
- The Televisor: Successful Test of New Apparatus 1926
- Next We'll See to Paris, 1927
- Transatlantic Television in 1928
- How Stereoscopic Television is Shown, 1928
- Baird's Trip to Trinidad in 1919
- Alice, Who art Thou? An old mystery
- The Man with the Flower in his Mouth, 1930
- Televising the Derby, 1931
- Televising the Derby, 1932
- H.G. Wells and J.L. Baird
- What was Early Television Actually Like?
- 1932 Television Demonstrated in 1952
- Crystal Palace Television Studios
- Television on the West End Stage in 1935
- What did JLB really do in World War II?
- High Definition Colour Television, 1940–1944
- John Logie Baird—the final months, 1945–1946
- Life with an Inventive Father, 1985
- Down the pub with John Logie Baird?
- A Personal Journey, 2000
- The Making of JLB: The Man Who Saw The Future, 2002
- John Logie Baird the innovator
- John Logie Baird and his Contributions to Television
- Print versus Television: from Baird to McLuhan
- SMPTE and IEEE recognitions of JLB's work
- Television at the 1939 New York World's Fair
- Four Key Players in Early Television Development
- Terry-Thomas and the Baird Portable
- University of Strathclyde exhibition, 1990
- Malcolm Baird looks back on 90 years of UK television
- Television—75 years after Alexandra Palace
- The Farnsworth Invention Saga
- Television, Radar and J.L. Baird, 1923–46
- Baird Television Ltd. and Radar
- Television and Me—The Memoirs of John Logie Baird
- Book and Film Reviews
- Other Television Inventors & Links
A Fresh View of Television History
by Malcolm Baird
The Ph.D. thesis of Paul Marshall is highly recommended for afficionados of television history. The full thesis can be found at http://www.manchester.ac.uk/escholar/uk-ac-man-scw:125573. The abstract is given here and the last paragraph is of particular interest.
The University of Manchester
Paul Marshall Doctor of Philosophy (2011)
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936
In this thesis, I seek to understand what shaped the development of television, tracing the technology back to its earliest roots. In existing literature, the history of television in its formative years (before World War II), has largely been presented in technologically deterministic terms, culminating in the goal of adding "sight to sound" -- producing a wireless set with pictures.
Most of the existing literature focuses on "hero" figures such as British inventor John Logie Baird and his electro-mechanical television systems, or on corporate narratives such as that of RCA in the United States in developing all-electronic television. In contrast to such an approach, I will concentrate on the transnational networks linking individuals and companies, and on the common external factors affecting all of them.
Some networks could operate simultaneously as rivals and collaborators, as was the case with companies such as Marconi-EMI in Britain and RCA in the United States. Senior managers and researchers such as Isaac Shoenberg at Marconi-EMI and Vladimir Zworykin at RCA played significant roles, but so too did relatively obscure figures such as the Russian scientist Boris Rosing and the British engineer Alan A Campbell Swinton.
I will draw on newly available sources from Russia and the USSR, on overlooked sources in Britain and the United States, and on replicative technology to re-examine the story. The new material, coupled with the transnational networks approach, enables fresh insights to be gained on issues of simultaneity of invention and on contingency in the development and initial deployments of the technology.
By using these fresh primary sources, and by re-interpreting some aspects of the numerous existing secondary sources, I will show that the "wireless with pictures" model was not inevitable, that electro-mechanical television need not have been a technical cul-de-sac, and that in Britain at least, it was the political desire to maintain and extend the monopoly of the BBC, which effectively funnelled the technology into the model so familiar to us today.