- cover
- Home
- the old site
- British Association Lecture, Leeds, 1927
- John Logie Baird in America, 1931
- Television in 1932, BBC Annual Report, 1933
- The Wonder of Television, 1933
- Television To-day and To-morrow, 1939
- The Televisor: Successful Test of New Apparatus 1926
- Next We'll See to Paris, 1927
- Transatlantic Television in 1928
- How Stereoscopic Television is Shown, 1928
- Baird's Trip to Trinidad in 1919
- Alice, Who art Thou? An old mystery
- The Man with the Flower in his Mouth, 1930
- Televising the Derby, 1931
- Televising the Derby, 1932
- H.G. Wells and J.L. Baird
- What was Early Television Actually Like?
- 1932 Television Demonstrated in 1952
- Crystal Palace Television Studios
- Television on the West End Stage in 1935
- What did JLB really do in World War II?
- High Definition Colour Television, 1940–1944
- John Logie Baird—the final months, 1945–1946
- Life with an Inventive Father, 1985
- Down the pub with John Logie Baird?
- A Personal Journey, 2000
- The Making of JLB: The Man Who Saw The Future, 2002
- John Logie Baird the innovator
- John Logie Baird and his Contributions to Television
- Print versus Television: from Baird to McLuhan
- SMPTE and IEEE recognitions of JLB's work
- Television at the 1939 New York World's Fair
- Four Key Players in Early Television Development
- Terry-Thomas and the Baird Portable
- University of Strathclyde exhibition, 1990
- Malcolm Baird looks back on 90 years of UK television
- Television—75 years after Alexandra Palace
- The Farnsworth Invention Saga
- Television, Radar and J.L. Baird, 1923–46
- Baird Television Ltd. and Radar
- Television and Me—The Memoirs of John Logie Baird
- Book and Film Reviews
- Other Television Inventors & Links
- BBC television
Television on the West End Stage in 1935
by Malcolm Baird
Over 80 years ago television was featured in a smash hit musical play in London's West End. Glamorous Night, a creation of Ivor Novello with lyrics by Christopher Hassall, opened at the Theatre Royal, Drury Lane, on May 2nd 1935. The hero, played by Novello himself (shown here), is Anthony Allen, an Englishman who has invented a new television system. The opening scene is set in a quiet suburb, where Anthony complains that no one in Britain will support his invention financially. Then he departs on a pleasure cruise and ends up in the somewhat Ruritanian land of Krasnia. Here he meets Militza, a prima donna with whom King Stefan of Krasnia is infatuated. The plot then moves into the usual mixture of adventure and romance which went over well on the stage 80 years ago. Anthony of course falls in love with the glamorous Militza but eventually she must marry King Stefan in order to save her country from anarchy. On the plus side for Antony, the King has adopted his invention, so he travels back to England where, in the final scene, he sadly watches the Krasnian royal wedding broadcast on his own television system.
Welsh Actor and Composer Ivor Novello (1893–1951)
The production played to packed houses. The critics were grudgingly favourable and one comment was "if it is nonsense, it is glamorous nonsense, and for those who are ready to be entertained, it is the best show of its kind Drury Lane has had for years." A few weeks after the opening, King George V and Queen Mary attended a performance. Afterwards, the King remarked to Ivor Novello, "We enjoyed ourselves tremendously, with one reservation—we could have wished a different ending. We found it a little sad, the Queen and I in fact you made the Queen cry. Make the next one with a happy ending please."
In the final scene of Glamorous Night, Anthony is dwarfed by a huge television image of Militza's wedding. This is rather at odds with the real world of television, as the B.B.C. was still broadcasting on the 30-line Baird system which gave an image a few inches in size. However my father had demonstrated large screen black and white television in a London cinema as early as 1930 and in 1935 he was working on large-screen colour television.
Cover of theatre programme for Glamorous Night at Theatre Royal Drury Lane (1935)
It is not on record that anyone in our family ever went to see the show. My mother might have been interested but she was expecting a baby (me!). At this time, my father's company was working to upgrade its television systems for the competition for the first high definition television on the B.B.C. But in January 1937 the all-electronic Marconi-EMI 405 line system was adopted.
The success of Glamorous Night is an indication of the grip that television had on the public imagination. A few years later it was made into a film, but the television connection was quietly written out of the script, with Anthony Allen's occupation being changed from inventor to newspaper reporter. The film industry was getting nervous about television and this was fully justified by the disastrous impact of television on cinema attendance after World War II.